| DUKE ORSINO | |
Give me some music. Now, good morrow, friends. | |
| | Now, good Cesario, but that piece of song, | |
| | That old and antique song we heard last night: | |
| | Methought it did relieve my passion much, | |
| | More than light airs and recollected terms | 5 |
| | Of these most brisk and giddy-paced times: | |
| | Come, but one verse. | |
| DUKE ORSINO | |
Seek him out, and play the tune the while. | |
| | [Exit CURIO. Music plays] |
| | Come hither, boy: if ever thou shalt love, | |
| | In the sweet pangs of it remember me; | |
| | For such as I am all true lovers are, | 15 |
| | Unstaid and skittish in all motions else, | |
| | Save in the constant image of the creature | |
| | That is beloved. How dost thou like this tune? | |
| DUKE ORSINO | |
Too old by heaven: let still the woman take | |
| | An elder than herself: so wears she to him, | 30 |
| | So sways she level in her husband's heart: | |
| | For, boy, however we do praise ourselves, | |
| | Our fancies are more giddy and unfirm, | |
| | More longing, wavering, sooner lost and worn, | |
| | Than women's are. | 35 |
| DUKE ORSINO | |
O, fellow, come, the song we had last night. | |
| | Mark it, Cesario, it is old and plain; | |
| | The spinsters and the knitters in the sun | |
| | And the free maids that weave their thread with bones | 45 |
| | Do use to chant it: it is silly sooth, | |
| | And dallies with the innocence of love, | |
| | Like the old age. | |
| DUKE ORSINO | |
Ay; prithee, sing. | 50 |
| | [Music] |
| | |
| | SONG. |
| | ClownCome away, come away, death, |
| | And in sad cypress let me be laid; |
| | Fly away, fly away breath; |
| | I am slain by a fair cruel maid. |
| | My shroud of white, stuck all with yew, |
| | O, prepare it! |
| | My part of death, no one so true |
| | Did share it. |
| | Not a flower, not a flower sweet |
| | On my black coffin let there be strown; |
| | Not a friend, not a friend greet |
| | My poor corpse, where my bones shall be thrown: |
| | A thousand thousand sighs to save, |
| | Lay me, O, where |
| | Sad true lover never find my grave, |
| | To weep there! |
| DUKE ORSINO | |
Let all the rest give place. | |
| | [CURIO and Attendants retire] |
| | Once more, Cesario, | |
| | Get thee to yond same sovereign cruelty: | |
| | Tell her, my love, more noble than the world, | 65 |
| | Prizes not quantity of dirty lands; | |
| | The parts that fortune hath bestow'd upon her, | |
| | Tell her, I hold as giddily as fortune; | |
| | But 'tis that miracle and queen of gems | |
| | That nature pranks her in attracts my soul. | 70 |
| DUKE ORSINO | |
There is no woman's sides | |
| | Can bide the beating of so strong a passion | |
| | As love doth give my heart; no woman's heart | 80 |
| | So big, to hold so much; they lack retention | |
| | Alas, their love may be call'd appetite, | |
| | No motion of the liver, but the palate, | |
| | That suffer surfeit, cloyment and revolt; | |
| | But mine is all as hungry as the sea, | 85 |
| | And can digest as much: make no compare | |
| | Between that love a woman can bear me | |
| | And that I owe Olivia. | |
| VIOLA | |
A blank, my lord. She never told her love, | |
| | But let concealment, like a worm i' the bud, | |
| | Feed on her damask cheek: she pined in thought, | |
| | And with a green and yellow melancholy | 100 |
| | She sat like patience on a monument, | |
| | Smiling at grief. Was not this love indeed? | |
| | We men may say more, swear more: but indeed | |
| | Our shows are more than will; for still we prove | |
| | Much in our vows, but little in our love. | 105 |
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