| CLEOPATRA | |
I dare not, dear,-- |
| | Dear my lord, pardon,--I dare not, | |
| | Lest I be taken: not the imperious show | |
| | Of the full-fortuned Caesar ever shall | |
| | Be brooch'd with me; if knife, drugs, | 30 |
| | serpents, have | |
| | Edge, sting, or operation, I am safe: | |
| | Your wife Octavia, with her modest eyes | |
| | And still conclusion, shall acquire no honour | |
| | Demuring upon me. But come, come, Antony,-- | 35 |
| | Help me, my women,--we must draw thee up: | |
| | Assist, good friends. | |
| CLEOPATRA | |
Here's sport indeed! How heavy weighs my lord! | |
| | Our strength is all gone into heaviness, | 40 |
| | That makes the weight: had I great Juno's power, | |
| | The strong-wing'd Mercury should fetch thee up, | |
| | And set thee by Jove's side. Yet come a little,-- | |
| | Wishes were ever fools,--O, come, come, come; | |
| | [They heave MARK ANTONY aloft to CLEOPATRA] |
| | And welcome, welcome! die where thou hast lived: | 45 |
| | Quicken with kissing: had my lips that power, | |
| | Thus would I wear them out. | |
| MARK ANTONY | |
The miserable change now at my end | |
| | Lament nor sorrow at; but please your thoughts | |
| | In feeding them with those my former fortunes | |
| | Wherein I lived, the greatest prince o' the world, | |
| | The noblest; and do now not basely die, | 65 |
| | Not cowardly put off my helmet to | |
| | My countryman,--a Roman by a Roman | |
| | Valiantly vanquish'd. Now my spirit is going; | |
| | I can no more. | |
| CLEOPATRA | |
Noblest of men, woo't die? |
| | Hast thou no care of me? shall I abide | 70 |
| | In this dull world, which in thy absence is | |
| | No better than a sty? O, see, my women, | |
| | [MARK ANTONY dies] |
| | The crown o' the earth doth melt. My lord! | |
| | O, wither'd is the garland of the war, | |
| | The soldier's pole is fall'n: young boys and girls | 75 |
| | Are level now with men; the odds is gone, | |
| | And there is nothing left remarkable | |
| | Beneath the visiting moon. | |
| | [Faints] |
| CLEOPATRA | |
No more, but e'en a woman, and commanded | |
| | By such poor passion as the maid that milks | |
| | And does the meanest chares. It were for me | |
| | To throw my sceptre at the injurious gods; | |
| | To tell them that this world did equal theirs | 90 |
| | Till they had stol'n our jewel. All's but naught; | |
| | Patience is scottish, and impatience does | |
| | Become a dog that's mad: then is it sin | |
| | To rush into the secret house of death, | |
| | Ere death dare come to us? How do you, women? | 95 |
| | What, what! good cheer! Why, how now, Charmian! | |
| | My noble girls! Ah, women, women, look, | |
| | Our lamp is spent, it's out! Good sirs, take heart: | |
| | We'll bury him; and then, what's brave, | |
| | what's noble, | 100 |
| | Let's do it after the high Roman fashion, | |
| | And make death proud to take us. Come, away: | |
| | This case of that huge spirit now is cold: | |
| | Ah, women, women! come; we have no friend | |
| | But resolution, and the briefest end. | 105 |
| | [Exeunt; those above bearing off MARK ANTONY's body] |
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